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born in July 1963 the mural policy Chile

born with the monumental mural that was painted on the bridge Capuchin huge site visibility, and that there goes the thick traffic that flows between Valparaiso and Vina del Mar. I had about a hundred and thirty feet long and a height ranging from three to six meters. He worked on three different teams, made up mostly of students from the Universities of Chile and Santa Maria and directed by Gastón Vilavecchia painters, Italian artist based in Grapevine, Nemesio Rivera and Jorge Osorio. Each group developed a different theme, and the magnitude of the task, had to rely on a quasi-business infrastructure.
During the days when the entire performance of the work, the bridge became a virtual object of popular pilgrimage. The committees with all its members would see the progress of the mural. And they had food and drinks for painters.
The mural made a big impression in the area. And triggered a wave initiatives that are sprinkled throughout the province. Murals were painted many important: one commissioned by the port, one at Quintero, etc. In the Command there were still, despite everything, some reluctance, and it was necessary to dissipate the categorical opinion of the candidate, who described the movement as the ultimate wall of his campaign. Was otherwise the Allende Santiago who took the idea to reproduce the example.
The subsequent history is known. The mural became a national phenomenon and mass art blossomed in the 1970 election campaign. What had been born in that month of July 1963 as a local initiative, a product of the imagination of a small group of locals, went on to become one of the most vibrant and original contributions of people's creativity Chile whose echoes, as we said, went beyond our borders.
are many names linked to the collective artistic adventure. I want to evoke only a painter, Ramon Meza, who taught the young brigade of Mount Pleasant how to paint the letters in a professional manner. He, unknowingly became one of the pioneers of this vast movement. Patrick Cleary

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Valparaiso

all know that this appointment is well deserved for this great port, which has great corners, staircases which almost touch the clouds, a privileged view, dreamlike landscapes, great people and written, popular, artists, writers, professionals, etc. Which have always managed to bring the message of longing, love, heartbreak, sea, mountain, night light throughout the world of our beloved and sometimes left Valparaiso, the port is known for its intricate labyrinth, is made by the sacrifice of their people, their creative people, but it is also true that another part of it has failed to value Pancho today despite being named a World Heritage Site has been in the
forget ourselves, who not see the streets that crap, it was an elevator welcomes the visitor, who has not smelled urine in their alleys, who has not ever seen a child throwing a sweet wrapper or ice cream in the plaza O'Higgins to view and patience of his mother and father, or perhaps Condell spitting in the street, or throw away a bag of excrement or garbage without worrying who is going under her window, or view the damaged or burnt garbage, look at the benches destroyed or striped squares. Let us look
ourselves, living in Valparaiso, Why did you doing here? ... We have much to learn. Valparaiso
one cleaner. Jaime Morales Soto

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Name: Cara Jones
Country: United States
Age: 31 years
Profession: journalist
What is your motivation for coming to Chile and Valparaiso?
I decided to go to Chile because I heard it's a very nice country. But I have also a more important reason. I have a great grandmother who was born here in Valparaiso in 1846. Luisa Salazar called or Salazal and married my grandfather in Chile. Then they moved to San Francisco in the United States where my grandfather died very young. Luisa After he moved to New York with her two sons to live with the family of her husband, she died also very young in 1902. Now I'm looking at several churches in documents that could help me find my relatives!
What are your impressions of Valparaiso? Valparaiso
My impressions are very good. But not first. When I arrived here I have visited many places in nature and if I compare the southern mountains and lakes with the City of lparaíso the city is a bit dirty, old and unsafe. So first I did not like the city, but
after walking through the streets of Cerro Alegre and Cerro Concepcion, I loved this side. And most of the cafes and streets like people in Valparaiso. The people are very nice, very warm and everyone wants to help me with my búsqueda.
¿Cómo ves a EEUU desde Chile?
Desde Chile tengo una perspectiva diferente de los Estados Unidos. Antes de llegar aquí no estuve de acuerdo con la guerra y ahora cuando veo mi país y nuestro presidente por los ojos de los Chilenos es más difícil entender la razón por qué estamos matando miles de personas en Iraq. La verdad es que soy orgullosa de ser de los Estados Unidos pero hoy es un vergüenza debido a la guerra. Creo que Estados Unidos es un país con mucho potencial para ayudar al mundo y arreglar la situación en Iraq, pero necesitamos un nuevo presidente!
Cara Jones ha solicitado a La Hoja Itinerante alguna información sobre su
tatarabuela enviar información a cejoness@yahoo.com
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BIRTH CENTENARY

Centennial President Salvador Allende delNatalicio

1908-2008 Valparaiso welcomes you.
Organising Committee
Centenary Birthday of President Salvador Allende 1908
2008 in Valparaiso, rightly considered this date to the enhancement and dignity it deserves.
Because it represents a utopia, because he defended the least, because it was consistent, because workers did not forget, because Buenos Aires is a universal, because the world pays homage to all the continents, because the new generations come to life, because their ideas are the future, For lifted the Culture and Art of a people, because it is a citizen
closely linked to Valparaiso, because we care the history of Chile, because we want to open more space for democracy in Chile, because we fight for democracy again, because we believe it is possible a more humane and just, And More ..., Salvador Allende 2008 Valparaiso welcomes you, Salvador Allende 2008 Chile welcomes you, Salvador Allende 2008 The
world will celebrate.

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that culture in Valparaíso is divided between those who carry out their work with love and dedication - as always, long before the arrival of the machinery of the Council, under the constant Kurtura precarious culture means developing the port and those using the effort of these workers for personal gain and with minimal effort, seeking figuration, to resume or gain some political benefit as usual. My thoughts go to all those who work to make your work a contribution to the development of Valparaiso and my giant arch to the big shots who take advantage of forever. Carlos Morales Osorio / Director Magazine

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Valparaiso Valparaiso, a port of feelings

Era Valparaíso en el año 1834 una población muy atrasada todavía.No había en ella más calle empedrada que la de Planchada, hoy de Serrano. Todas las demás hallábanse en condición rudimentaria: en verano era sofocante el polvo que se levantaba en ellas, y en invierno, por el contrario, formábase un lodo inmenso.Tales eran los lodazales que se formaban, que se veían á menudo carretas enterradas hasta los ejes y á duras penas podían sacarlas dos yuntas de bueyes... El alumbrado público, en aquellos tiempos, consistía en un pequeño farol con vela de sebo, que los vecinos ponían al anochecer en las puertas de las casas, sluggishly and reluctantly, and only obeying the voice of the watchman who was shouting from house to house, "the lantern at the door!" At 9 or 10 at night, or before, the streets were, when there was moon, in complete darkness, because either the microscopic bits of candle lanterns had the consumption or the neighbors had kept their lights and shut their doors calle.Por apparently would be understood how modest, especially in winter, public transit in Valparaiso, in streets without sidewalks and turned into quagmires. Usábanse then laced shoes or boots to purpose, which would allow him through the mud possible and, taking shelter from the rain, a few coats of Barragan. At night was the general custom, to go out every neighbor, bring your flashlight, to Diogenes, to see where it went. Public carriages, had none. The crossings between the port and Almendral was on foot, and the same is going to Polanco, after Fifth Orrego. Had there, "agregael entertaining narrator, whom we copied almost literally a coffee and a golf stick, which served as a solace to the hikers to walk from the distant port ... The Place de la Victoria, then called Orrego, was a continuation of the beach. It stopped the wagons were Travel to Santiago (later relegated to the estuary of Delights). Many of the buildings were roofed reed and they harbored some chinganas. There are something like improvised theater companies that worked cómicas.En As to buildings, only the Port had some houses high, all the balcony, and very few of this construction in the Almendral.

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Manuel Fuentes

(* Linares (Chile), 1906 - † Valparaiso, 1996) trade union activist, journalist, polemicist and Chilean writer. Usually considered the leader of the Revolt of the Fleet of Chile occurred in Coquimbo in September 1931. Specifically served as secretary of the "Staff of the Crew." Became involved in that incident after enrolling as a steward on the battleship Almirante Latorre at the beginning of the year. Naval officers subsequently considered joining the Navy as a deliberate political act, from his close to communism. In prison, after the failure of the rebellion, wrote a novel that blends marine adventure and science fiction, revolving around the topic of a Lost Civilization: Thimor (1932). He was sentenced to death, but an amnesty for the brief Socialist Republic of Chile saved his life. In his first Clotaire youth was near Blest and served as labor activist in the nitrate of the Antofagasta Region. He was editor of El Día de Talca, a contributor to The Union and El Mercurio de Valparaíso. He lived in that city from 1938 until his death. Refused to be named poet. Member, along with Mayor Alfonso and Eduardo Anguita the literary group The Mandrake. Http://es.wikipedia.org/wiki/Manuel_Astica

To fix this table

to fix this table limps

this table that I eat and drink, that

I write and I read:

this table that he shook off a leg

and where sometimes, and evening, I tend rustic

folder for some game

brisca

topped with friends and buddies in my neighborhood

that between jack and king and queen riding

between clubs, between gold and between swords, stood as

win our glasses filled with friendship ...

to fix this table anchors

've looked into the dusty box of screws and nails

rusty and crooked

forgotten where you saved the jar

tail resected

the pliers up

head hammer and demolished,

the saw-tooth wear,

added canvas knotted the sailors,

dance ever made the tops of the child.

I found everything

of everything elsewhere is not:

buttons and rusty pins and past trends,

toothless old forks, ivory

linkage of a range

with strips torn from silks,

flirty smiles that hid my grandmother

steel knives dull black,

broken mirrors, old fountain pens obsolete, tin toys

without their wheels,

and their cords, or colors;

a case of ancient geometry

with their nests and rotten old velvet

for the compass and the tracer, the tracer

so useless, so useless

that I never worked or I learned to use;

yellow tangle of zig-zag tube that stretched

broken and does not measure or even a stick;

the plaster head of a decapitated image

that my mother had the holy and miraculous;

plush cat, moth-eaten,

leg scissors, and a string of jet

the same who led the prayers with the family,

with runs of destroyed houses,

and only detract, mutilated, mysteries ...

But the anchor, the anchor can not find, lost and confused

among so many disparate things tiny,

so many things now useless and forgotten

... useless? Why useless? ... Did

useless are the memories that keep

silent sites

spirit sleeping sweetly, the past, a past

awakening from the dust of oblivion,

when we seek the necessary anchor for

set the table with a limp?